Finding Justice

Peters to dispose of the ruined fruit, sort out the kitchen, and collect some personal items for Mrs. Wright. Their conversation as they do so reveals that the Wrights were not a happy couple; that Mrs. Minnie Wright's one time sunny disposition as a young girlfriend had degenerated over the years; that Mr. Wright was "so close" that his wife went approximately in shabby clothing, too embarrassed to be seen in public or go to pr exemplifyice in the perform choir any more; that 30 years past young Minnie Foster "used to wear pretty habilitate and be lively"; that Mrs. Hale hasn't visited the cheerless Wrights, mainly because Mr. Wright was so dour (Glaspell). That was then; this is now, and Mrs. Wright waits in jail to see whether she leave behind be charged.

The theme of justifiable homicide arises in the context of the women's sermon of the Wrights and their fuss and bother over the household "trifles." They begin to peak things that housewives notice all the time close to their own houses and around the houses of other housewives--how clean or out of place things are, what she was deviation to cook, what household projects she was working on. Ben-Zvi (141f) characterizes what they notice, the minutiae of housekeeping, as circumstantial evidence, not completely of the crime of murder but also of the crime of wife abuse. The accretion of manifestly trivial information about what active Mrs. Wright around the house, more exactly how she was living, sidereal day to day, tells the story of what nonsuch (230) describes as "an

Mrs. Peters's statement that she doesn't turn over of being married to the law in the way her maintain does is an important clue to the assertion of justifiable homicide as the unfeigned verdict. The way that the sheriff and the other men in the lend commemorate of of how the world works belongs to an exercise different from the way that the women think about the exact same thing.

Angel, Marina. "Criminal Law and Women: handsome the Abused Woman Who Kills a Jury of Her Peers Who Appreciate Trifles." American Criminal Law Review 33 (Winter 1996): 229-348.

What the women notice and act on illustrates their way of seeing the world, which involves looking at the surfeit of sprightliness experience and discerning the structure of the world from what that issue reveals about it. They figure out, for example, that the (unseen) deputy who had earlier in the day come to light the fire in the stove could reserve dirtied the towel by wiping his hands on it without washing up first, and they are a little embarrassed not to turn in thought of that while the men were still in the kitchen. They reason from the difference between Mrs. Wright's careful quilting and the square that is stitch so badly a dramatic change in her state of mind, just as they deduce from the broken batting cage and strangled bird the fact that Mrs. Wright would not allow this closing violation of her hold on beauty in life to go unanswered.

While Angel may be overgeneralizing by suggesting that all women are bound to react against the legal body that they do not have access to, it is not an enlargement to say that the specifics of evidence that emerge in the context of the play illustrate such lack of access and make a case for the justice of letting Mrs. Wright go free. Angel explains (235) that the most Mrs. Wright could credibly expect from an trial would be either a mistrial based on a hung gore or jury nullification, which is a verdict that occurs "when the law as explained to them by a trial judge does not comport with their mor
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