King Lear Essay

office Lear is unrivaled of the greatest dramas written by Shakespeare. It is a poetical tragedy in which the good as well as magnanimous characters play their role. tycoon Lear has three misss Goneril, Regan andCordelia. Cordelia is the youngest daughter. She is an important character of the play. In the bear act, she is hanged and her finale seems unjustified. plainly it is non true. Shakespeare changed his source material to give his King Lear a tragic ending. Thus there is the defeat of Cordelias army,the poundage of Lear and Cordelia, and Cordelias murder in the prison.This tragic end did non think favour with some critics who felt Cordelias death is unjustified. The other condition of thought how ever feels that dramatic inevitability demands the death of Cordelia. Before releaseing Cordeliasdeath, it is indispensable to understand some points of her nature. In the first Act of the Play, when it is Cordelias spell to tell her suffer how much she sleep withs h im, she surprises everybody by saying that she has nought to say. In this context when asked by her father if she has really nonhing to say, Cordelia repeats the word nothing.Lear then tells herNothing pass on come of nothing. Cordelia elaborates the reply she has already given. She says that he as her father, has brought her up and hit the sack her and that in return she has perpetually obeyed, venerate and honoured him. She says thatwhen she gets married, half(prenominal) of her love will go to her married man and remaining half for her father. This reply irritates Lear and he dis inherits her. Then the Duke of Burgundy refuses to marry her on being told that she will bring him no dowry at all. Cordelia makes a dignified take down Peace be with BurgundySince, that respect of fortune are his love, I shall not be his wife. We also see that she has a deep love for her father. ulterior in the play, when Cordelia and Lear are united, she looks after him in his illness. When L ear says that she has sufficient cause to be annoyed with him, she says No cause, no cause. It is a touching moment in the play. As a consequence of a plot hatched by Edmond, Cordelia is hanged, and we then see Lear carrying her dead body. The death of Cordelia comes as a shock absorber to all of us. To justify her death, we should look at the weakness of her nature.The whole broadcast of Cordelia in the possibleness scene shows that she is a woman of a couple of(prenominal) words. She is by nature reticent. She does not believe in showing off her affections for her father. At the sametime, we fecesnot deny that this incapacity on her part to express her love for her father is a fault in her nature. If the old man wanted to beguile his dignity, Cordelia should obtain come out with some sort of assurance that she loved her father deeply because sometimes it is better for a person toexpress his love in words in order to satisfy the other person. on that point was no need for her to be asblunt as she has proved to be.Her father is conscious that she loves him the best but he wants to hear her speak about her love and her failure to speak annoys him greatly. Thus the fault is not entirelyon Lears post Cordelia cannot completely be exonerated. Her sere nature proves to be the, causeof Lears unfastening (ruin) and her undoing too. Later on, when she comes to fight against the BritishForces, she makes it clear that it is not on calculate of any military ambition or any desire for seduction that this invasion is taking place but on account of her love for her father an for therestoration of his rights to him.Thus it cannot be another fault because she could succeed in her purpose by some other means than by fighting. .Bradley rightly points out that Cordelia suffers from a tragic im thoroughgoing(a)ion. It is true that she isdeeply wronged by Lear in the opening scene, but we cannot assert that she her was wholly rig inher behaviour. At a moment, when a momentous issue is under discussion, Fate makes on her theone demand which she is unable(p) to meet. It is a demand which other heroin of Shakespeares playscould have met.They could have made the old, unreasonable king feel that he was loved fondly bythem . scarcely Cordelia could not do so because she is Cordelia. We neither blame her, nor justify her completely we simply experience the tragic emotions of pity. It is noteworthy that Cordelia is notalways reticent she is not always tongue-tied as several passages show in the play. But tender emotion, for her father makes her dumb as she says Unhappy that I am I cannot heaveMy heart into my mouth. But this particular trait in Cordelias nature is n the only cause of Lears rage in the opening scene.When he asks her to mend her speech a little, she gives him a extensive answer saying that half of her love will go her husband and that she cannot love her father all. Now even if she is speakingthe truth here, she is not speaking the absolute truth because to give love to a husband cannotmean taking away any part of love from a father. Her province for tragic issuings cannot bedenied. Through her tragic imperfection, she contributes something to the conflict. While thetragedy is largely due to Lears own fault, it is in no small measure due to a deficiency in Cordelia.As the dying Lear gives us a perfect picture of her nature in a few Words Her congresswoman was ever softgentle and low, an excellent thing in woman. She is a loving daughter as in the play it has beensaidThou hast one daughter,Who redeems nature from the general curseWhich twain have brought her to. Mrs. Jameson compares Cordelia as the heroine of filial tenderness, with the self-devotion of Antigone, the daughter of Oedipus, saying To Antigone, we give our admiration to Cordelia our tears. Dr Johnson felt that the tragic ending of King Lear, especially the death of Cordelia,violates poetic justice (the virtuous to be rewarded and the sloshed to be punished). Besides, he feltthat is the play, the wicked prosper, and the virtuous miscarry (be unsuccessful). The veryconception of a Shakespearian tragedy cannot be squared with such a simple possibleness of poetic justice of the reward due to virtue. The wages of sin is always death though the reward of virtue isnot always happiness. Cordelias death is a final crushing blow inflicted upon the repentant King.Atragedy in which everything can be explained and justified is not a tragedy at all. Dr Bradley is of the sound judgment that the end is to be tragic, it is bound to be completed with the death of Cordelia. It was not possible for Shakespeare to have given King Lear peace and happiness at Cordelias fire-side. We cannot dissociate Lear from Cordelia and think of one surviving the other. Lears sight,therefore, involves the fate of Cordelia. Her death is sacrificial, and upon such sacrifices whatever gods there may be pullulate their incense.Goodness and wickedness are each its reward and a truereward that reconciles us to the close of tragedies in which the great suffer, Lear and Cordelia aremore victims than offenders. The death of Cordelia constitutes an appropriate ending for the play. around critics are of the opinionthat this death makes the play too sad. Nahum Tate went to the extent of altering the event at theend in order to give it a happy ending. But a happy ending to the play would not really be suitable.Cordelias death seems to be gratuitous (uncalled-for) but in tragedy, the slimy of a goodcharacter is always excessive. Therefore, if Cordelia meets her death in spite of her being innocent,we should not protest against the authors judgment. The divine forces are not unjust. It should be remembered that it is human error that has broughtabout the sufferings of Lear and Cordelia fate has little role in the matter. Cordelias dumbnesscaused all her suffering that indeed is a concept of justice few can quarrel with, and her deathmakes he r character memorable.