James Joyce’s Araby as a coming-of-age story Essay

Araby, by mob Joyce is a story about a early days son experiencing his first-year feelings of attraction to the opposite sex, and the direction he deals with it. The storys young protagonist is unable to explain or justify his own actions because he has never dealt with these sort of feelings before, and feels as though someone or something tout ensemble out of the ordinary has taken him over. The son shag do zip but act on his own impulses, and is blind to the reasoning git him.Araby is such a powerful study on churlhood because of the way Joyce so vividly recounts the frustration a child feels when they are down-and-out at trying to be an swelled too fast. The story begins with images of blindness, a symbol of the boys youth and ignorance. Joyce describes the street the boy lives on, north Richmond street, as being blind. It is from these blind shadows of the boys ignorance that the object of his affection, his friend Mangans sister, emerges. Joyce describes her figur e as being defined by the light of the half-open access (Joyce, 27) a symbol of the boy becoming enlightened by these new, adult feelings.As she enters the story, the images change from darkness to light and his feelings change from immature childhood concerns to those of an adolescent. Eventually, the boys language becomes more poetic and adult, and his thoughts turn completely to her. Her image accompanied me even in places the most hostile to romance, he admits her name sprang to my lips at moments in strange prayers and praises which I myself did not understand.The boy idealizes Mangans sister, obsessing over her, and is overcome with joy when she speaks to him. She tells him about a fair being held called Araby, and asks him if he is going. I forgot whether I said yes or no saysthe love-struck boy to the reader, he is overcome with a mixture of fear and rapture as she chats calmly with him, explaining she cant go because she will be away on a retreat when the bazaar is being held. She does not stir to say anything else, the boy has found his opportunity to gain her affections, he tells her he will go to the bazaar on her behalf and defile her a present. He can hardly contain his excitement at this witness hes been given to prove to do something nice for her, and to do something mature and adult like traveling to a bazaar and selection out a present alone.The boy takes this new responsibility, this new lay on the line to mean that hes entered a new phase of life. age suddenly seems to slow down in the story as the boy waits for Saturday to arrive. I could not call my wandering thoughts together he complains I had hardly any practice with the serious work of life which, instanter that it stood between me and my desire seemed to me childs play, ugly monotonous childs play. (Joyce, 29)Everything getting in the way of his journey begins to torture the pitiable boy, he sits in agony as the clock ticks, as he waits to be allowed to leave, he can barely contain his frustration. This sort of prognostication shows to the reader that the boy is not as mature as he feels himself to be, if he were an adult making a journey for a daughter he liked, the entire process would not seem so exigent. When his uncle in the long run arrives home he is distracted and has forgotten about the boys desire to go to the bazaar. He starts talking about an Arab poem he knows and keeps the boy even longer, finally giving him the money and allowing him to go.The boys arrival at the bazaar, like his quick transition to adulthood, is a morose awakening. By the time he arrives at the bazaar he can not purchase anything, the vendors are tired and closing up shop, and have little desire to see what this young boy can buy from them. He is being treated as a child and is certified of it. His quest for adulthood and independence seems somewhat futile, this trip didnt substantiate anything. He feels the disappointment of seeing Mangans sister empty-handed b ombard over him.As the boy leaves the bazaar the light goes out, once over again returning to the symbols of light and darkness in the beginning. The boy is returning toignorance and childhood. Gazing up into the darkness I saw myself as a creature derided by vanity and my eyes burned with anguish and anger reflects the boy, finally realizing that the substantial quest was frivolous, the girl was a fantasy. So, in this end paragraph, although the darkness is a return to childhood, he has gained some self-realization. His ability to recognize his youth and his ignorance is a growth.