Chicago by Carl Sandburg; an analysis of his poem and some biographical information.

shekels, written Carl Sandburg is a rousing piece of writing almost the lives of people in dough and somewhat the city as a whole. In 1894, Carl Sandburgs father, a laborer in the railway system yards of a small Illinois prairie t take in, secured a pass for his son to obtain Chicago. The enormous vitality of the city, as well as its frugalal injustices, left a deep scene on the infantile man that would emerge later in his groundbreaking poetry Chicago. As the son of a Swedish immigrant laborer, who in his unripened had hitched rides on the rails in seem of adventure and blue-collar work, Sandburg was to forge a poetry aimed at the working score, creating a mascu cable tele good deal, ener nonplusic style that would be analyse by manufactory workers over their open lunch boxes. His poetic resources were broad -- he collected kinship group songs that he would play on his guitar, folk wisdom, and racy slang from working- kind neighborhoods and blues lyrics as he developed an ear for the delivery rhythms of the populace. Drawing from his working class roots, he built a raw-boned poetry that violated the poetic norms of the time -- he string off inherited poetic diction and form and take an exuberant extra verse. When Chicago appe bed in 1914, its savage zip fastener created an uproar as Sandburg captured the walk vitality of the keen midwestern United States City in a poem of nearly fab dimensions. As opposed to opposite poets of his generation, Sandburg did non like to experiment with alter syntax and images, alone rather preferred to give the ref something concrete and direct. Thitherfore, this leaves the relish of the poem to be more serious. Sandburg writes Chicago in vacant verse in addition to free verse. Sandburg uses anaphora in his poem in lines 6-8. They ramify me you are wicked, and I believed them... I have seen the attach of wanton hunger. He repeats the phrase They tell me you are, this shows to the subscribe r ab place how much deleterious stuff is u! niverse spoken about the city. Another literary twist that Sandburg uses in Chicago is the apostrophe. He uses this when he addresses the city as a person. (They tell me you are...) Using this technique gives the reader the feeling that the city is somewhat alive and is human. Speaking of which, Sandburg in addition uses personification throughout the poem, giving the city human attributes. For example, reflection at lines 18-23. low the smoke... lode-handler to the Nation. Similes are present in line 13 when Sandburg discusses about the animosity of the city. unruly as a dog with vocabulary lapping for action, chicanery as a savage pitted against the wilderness. In addition, this literary tool is use in lines 19 and 20 when Sandburg describes how it is laughing in par to a young man and an ignorant fighter, respectively. Another device used in Chicago is repetition, in line 18 and 19. Its use here is to show all the afflictions that covered it. In celebrating s jesthouses, Sandburgs famous inauguration lines nominate the violent nix of Chicago -- the citys creative force is by necessity in addition destructive: Hog Butcher for the World, / nib Maker, Stacker of Wheat, / Player with Railroads and the Nations Freight Handler; / Stormy, husky, brawling. In the remarkable approach of Chicago into a bustling hub of commerce, the railroad played a supreme role, linking east markets to western grazing lands, objet dart manufacturing became a magnet for immigrant laborers, creating a great mix of unusual tongues and an atmosphere of strife and competition. To survive in working class Chicago was tough. The quick-changing character of capitalism ofttimes worsened conditions with economic injustices: On the faces of women and children I have seen the marks of wanton hunger.

thereof Sandburg may treat the city initially as having fall from the path of righteousness, a den of iniquities with its sharp-set citizens and its tormentted women under(a) the gas lamps luring the farm boys (for the hotel and railroad districts inevitably brought the big-city vices of prostitution and crime). However, while recording the citys moral degradation, the poet turns quickly to rafts of masculine glory, as the citys volume is symbolized by the muscular male body grunting and diaphoresis in physical labor. Show me another city, Sandburg writes, with lifted headland relation so proud to be alive and discourteous and bulletproof and cunning. Though Sandburg previously recognizes the peoples and cities failures, he also cheers the indomitability of their souls. At a crucial point the poem breaks out in a celebration of pur e activity, as Sandburg identifies the nature of his own poetry, demolishing tradition as it does, with the wrecking crews and the hard-hats: Shoveling, / Wrecking, / Planning, / Building, breaking, rebuilding. Yet, that vision does not lose its terrifying aspects. The violence portrayed in the opening lines remains in the terrible burden of fate that causes the defiant, brawling laughter of the ignorant prizefighter drunk with his own power. This is Sandburgs vision of Chicago, a defiant, almost mythological entity that offers both deliverance and pain to humankind. It is a vision presented in a fiercely-toned poem, a tone which matches the citys zoology fury and rabid hunger for progress, for Sandburgs Chicago is Fierce as a dog with tongue lapping for action, cunning as a savage pitted against the wilderness. If you want to get a full essay, order it on our website: OrderCustomPaper.com

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