Critical Review- ‘A Doll’s crime syndicate’ by Henrik Ibsen
Henrik Ibsen was a 19th centaury Norwegian moldwright, generally adjudge as a founder of modern drama. His plays often broke the mould of Victorian literature and were considered by audiences to be moot by confronting and questioning facades of Victorian life. One of his most renowned social dramas was ‘A Doll’s House’, compose in 1879. The play attracted a lot of attention, causing a sensation whilst touring Europe and America with many critics disapproving.
Ibsen’s ‘A Dolls House’ is set in a small Norwegian Village in 1879 and takes place in the Helmer’s family household. On the surface the play looks at married life at heart the time period and the plot is based around a wife’s deceit of her husband. However the underlying primary(prenominal) themes focus on women’s lack of emancipation in Victorian times, as well as the power, status and fit inwardly a relationship. When first premiered in the Copenhagen in 1879 the play was thought by many to be scandalous and a disgrace for criticising the accepted, respected and un-questioned traditional male and female roles within a conventional marriage.
The most prominent theme explored in ‘A Doll’s House’, is a cleaning woman’s secession from her expected role in society. This creative thinker is embodied within the character of Nora. It is demonstrated through her break of day realization that social standards in Victorian life disallowed independence for women and her desire to change this by walking out on her controlling husband. Ibsen’s motive for focusing on this consequence was to address the issue of the ‘set role’ a wife was expected to conform to, this he believed to be unequal and immoral. He managed to convey his theme and message successfully as the end to ‘A Doll’s House’ showed that women of that period liberating themselves...If you indirect request to get a full essay, order it on our website: Ordercustompaper.com
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